Alongside TV, the built-in marketing campaign may even run throughout cinema, broadcaster video on demand, press, radio, social, digital and outside.
Speaking concerning the alternative of director, inventive Matthew Moreland added: “In Britain, we’re all for pets. As pet homeowners, we do something for them, and Pets at House present every part they want. As a result of that love is excessive, we needed the movie to be too—unconditional love celebrated unreservedly, which meant Freddie Powel was the right alternative. He created a rock opera. An OTT love be aware, which celebrated the unconditional love you hardly ever see in pet promoting.”
CREDITS:
Shopper: Pets (Pets at House & Vets for Pets)
Chief shopper officer: Kathryn Imrie
Advertising and marketing director: Madeline Shaw
Head of name: Cath Ryan
Head of marketing campaign: Louise Duran
Marketing campaign lead: Cheryl Fitchett
Marketing campaign planner: Nikki Cameron
Design studio: Nomad
Artistic director: Ash Watkins
Companion: Stuart Watson
Account supervisor: Claudia Lace
Design crew: George Edwards, Becky Grover, Marion Bisserier, Simone Costa, Shin Hye Lee, Julia Kuisma
Strategist: Flossie Malster
Movement designer: Tom Bennett, Nathan Monaghan
Artistic companions: Colophon, Hannah Warren, Roo Lewis, Liz Seabrook, Studio Okay
Company: The & Partnership
CEO: Sarah Golding
International ECD: Toby Allen
Artistic administrators: Matthew Moreland and Chris Clarke
Creatives: Ted Value & Adam Jackson
Head of built-in manufacturing: Charles Crisp
Senior producer: Sam Ramsey
Manufacturing assistant: Carla Sandhu
Stills producer: Ellen Inexperienced
Head of technique: Rebecca Munds
Technique director: Katherine O’Gorman
Shopper lead: Florence Prevezer
Senior account director: Kelly Griffiths
Account supervisor: Sophia Levison
Manufacturing firm: DROOL
Director: Freddie Powell
Government producer: Genevieve Sheppard
Producer: Jess Wylie
Director’s assistant: Joseph Paul
Director of images: Tom Townend
Manufacturing designer: Drogo Michie
Manufacturing supervisor: Harriet Staples
Manufacturing assistant: Ellie De Rose
Costume designer: Mr Gammon
Hair and make up: Lu Hinton
Casting: Hammond & Cox
Solid coordinator: Jess Glaus
Location supervisor: Algy Sloane
1st AD: Benji Edwards
Set decorator: Vicky Robinson
SFX supervisor: Jason Troughton
Offline edit: Trim Modifying
Editor: Thomas Grove Carter
Offline producer: Tatyana Alexandra
Publish-production: Untold Studios
CCO: Neil Davies
Shoot supervisor: Chris Mortimer
VFX lead: George Rockliffe
VFX artists: Stepan Pazderka, Julie Cruette, Kristin Kaas Lutsberg, Simon Legrand, Catarina Goncalves
On-line: Pete Hughes
Government producer: Tom Igglesden
Producer: Ella Glazer
Coloration: Company3
Colorist: Simon Bourne
Coloration Producer: Chris Anthony
Audio publish manufacturing: 750mph
Sound engineer: Sam Ashwell
Audio producer: Olivia Ray
Music
Music artist: Meatloaf
Music monitor title: ‘I’d Do Something for Love (However I Gained’t Do That)’
Music writers: Jim Steinman
Music negotiation: SixtyFour Music
Music supervision: SixtyFour Music
Artistic producer: Emma Mitchell
Design director: Will Rees
Designer: Ralph Pederson
Movement designers: Gil Peres, Julien Lasson
